Eglinton at 5
It’s never through with you, never
done with the deaths original
to your own figurations
of happy trails or another
stroll through the garden
of shattered hearts, pieces
crunching under relentless
reflections on the nature
of metaphysics. Examined
traffic patterns yield
crusading misprisions in place
of flows when deflect
enters the picture. When the picture
enters deflect confusions
confound patterns claim
to assigned seat. The light
changes and no one moves
because distant incursions
of injected greed breeds
entropic fixations normal
stasis and no one really wants
to get there knowing pensioned
conclusions offer little hope
beyond brief visits to distant
unapproachable worlds
of bad teeth, crushed goats
writhing in dust, and another
beautiful day in the light
stolen from time at a cost
calculable only in utter
disregard for what passes
for decency, a concept ripped
from pages of unique
literary merit. Repeated adjectival
superlatives ring bells
in alien belfries rousing objections
anticipated well before approaches
to various ramps announce
impassable blockades of jammed
up steel and rubber founding economies
of pain and routine passages
through unthought habits against blank
skies of late February. Food
and roof wander into labyrinth’s
multitude of reasons and become
stone. Not stoned, which would reopen
negotiations with traffic patterns
toward possible, what? entropic
fibrillations or analogical
eruptions into parking lots across
GTA, little gestures of love oozing
into front seats with hot pizza
after game’s folderol? Sheer unlikeliness
of the sky caught up in rivers
of red lights, silent and still
over stabilized motion interruptions
stretching into fields of grief
for unrecognized iron fortune’s
rendition of almost there if it
weren’t for the damned traffic
announcements leave it likely, in fact
newsworthy for broadcasts
across temporal grid interstices
every night at six while economies
quiver thinking of arrangements
opening, beginning to move
into the night, shifting constellations
flowing toward another long day.
Michael Boughn’s "Eglinton at 5" is a highly abstract, layered, and metaphorical poem that explores a range of themes and emotions. Set within an urban context, Michael Boughn’s poem portrays life as a perpetual challenge, rife with struggles, apathy and stagnation, alluding to its on-going trials and the uniqueness of one’s personal struggles.
As it delves into profound philosophical ponderings about the fundamental nature of reality and existence, employing traffic patterns as a metaphor for the chaotic and unpredictable nature of life, suggests that attempts to understand or control life's twists and turns can lead to misinterpretations and confusion.
With irony and satire, Boughn castigates contemporary society, particularly its erosion of moral values. The poem uses complex and symbolic language as metaphors, while critiquing the use of adjectives and superlatives that often lack meaning or depth in modern discourse, rather, suggesting the need for a more thoughtful examination of the impact of our modern lifestyles.
Despite the overall tone of resignation, a glimpse of hope and change emerges toward the end, suggesting a yearning for transformation.